
When Lars tells Gus and Karen that he's met someone on the internet, they're overjoyed, until they are introduced to Bianca, a life-size sex-doll that Lars relates to as a living, breathing girlfriend.
When a friend told me about the film, I was expecting that the absurdity of the sex-doll would be flogged to death. There are some good visual gags in there - because it is a pretty bizarre scenario - but rather than repeating the same joke over and over, the doll becomes a vehicle to explore Lars's character; why is he having this delusion; how will those who love him respond.
Two-thirds of the way through the film, despite the fact that she has not uttered a word, let alone altered her facial expression, Bianca, to me, was a character in her own right, which is a real achievement on behalf of the filmmakers. It speaks a lot for subtle plot development and good acting.
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